At first glance, Super Dimension Century Orguss is a fluff piece of children’s science fiction that ultimately, and oddly, aims to sell fewer toys than its Super Dimension sister series (Super Dimension Fortress Macross and Super Dimension Cavalry Southern Cross, both of which were adapted into the mega-series Robotech worldwide). At second glance, the series clearly has no other aim than to be a light-hearted science fiction piece of fluff television. It’s only upon a third glance that the viewer sees the series as a broken science fiction epic. Continue reading “Super Dimension Century Orguss – whimsical space and time travel nonsense”
There is no doubt in my mind that Peter Capaldi will be an amazing Doctor. To say he is an amazing actor should mean nothing to a Doctor Who fan, since his character in Torchwood‘s Children of Earth series was so believable that his decisions, and final moments, made the series that much more devastating. And I have to admit, in somewhat of an ironic fashion, the fact that he is an older man is a breath of fresh air for the show.
But the news was somewhat underwhelming for me. Talk on various blogs about the possibility of a woman or a person of color (or both) portraying the Doctor got me more excited. The fact that the Doctor is another white male is just par for the course. I know that he will make an amazing addition to the series, but I can’t help but feel disappointed that a series about exploration and endless possibilities is stymied by its need to adhere to some silly status quo.
There’s a certain group in our culture who grew up through the 70’s and 80’s and had an understanding of the beauty present in giant mechas and robots. It sounds weird, but it’s true. How else can you explain the nostalgia for Transformers that has repeatedly managed to revive the franchise? Even knowing that the main purpose of the series is to sell toys, we knew that there was more there. Fans of Transformers have yet to see a big screen payoff (although the 80’s film has its moments), but IDW’s comics are an unexpected treasure. Godzilla fans get something great every now and then, although it seems Toho is hanging its hat for a while. (The upcoming American film is concerning but promising.) What we haven’t really gotten is the clash that our toys used to have. Anime only sates the appetite so much before the fans say, “I want to see real people in mecha punching monsters dead!” Yeah, our over excitement taxes our grammar a bit…
Guillermo del Toro’s Pacific Rim does more than satisfy our taste for giant destruction. It whets our appetite and makes us long for so much more. And it’s not because the movie is missing anything. It’s that the movie does so much and makes us believe that maybe we might someday get to see more like it. Continue reading “Pacific Rim – the dream of the 80’s is alive in theatres now!”
X-Men is one of the most popular beat-em-up games to have ever existed in the arcade. It helps that the game featured one of the most well known comic book teams and was often housed in arcade cabinets allowing 6-player simultaneous gameplay, but a bad game wouldn’t have managed to muster the staying power this game had. Actually, I should say has, as the game continued on in the minds of players who encountered it in the early 90’s. When perfect translations of arcade games starting finding their way onto home consoles, X-Men was one of the ones people were most eager to see.
In revisiting it on the Playstation 3, I found myself transported back to a more simple time in video game history. While each of the six characters – Cyclops, Wolverine, Dazzler, Storm, Colossus and Nightcrawler – were individuated by design, animation and the effect of his or her power, every character played almost exactly the same way. The point of the game, for the most part, was to clear the screen of enemies and move to the right. There was a story to follow, sure, but it’s not one that needed to be followed. Save Kitty Pryde and Charles Xavier from Magneto and other characters were comically made blatantly evil. Sometimes it seems like the game lampshades just how evil it made the characters, although this is made worse by the horrible translation. Magneto spouts some very infamous lines, but none more than, “X-Men, welcome to die!”
In retrospect, that’s pretty polite. Continue reading “X-Men: The Arcade Game – theme vs mechanics”
“It’s just going to return to the status quo in a year anyway!”
“Worst thing since ‘One More Day’!”
Those are the most common reactions to the conclusion of The Amazing Spider-Man #700. Continue reading “The Superior Spider-Man”
Without hesitation, I can say that Dredd is the best comic book movie of 2012. Put away your bat-shaped pitchforks and mighty hammers so that you can hear me out. Dark Knight Rises and The Avengers were both considered fantastic epics that were the culmination of years of build-up. Both were huge and explosive. When you walk out of the theater, you comment on what a rush it was. Then what do you walk away with?
Dredd is a much smaller film. Not only is the budget smaller but the length doesn’t even attempt to touch the other two films. If the other two films were explosives, then Dredd was a bullet from a sniper rifle. It is exactly that precision that I appreciate about the film. Continue reading “Dredd”
The opening weekend box office for Marvel’s The Avengers (yes, Marvel is a part of the title both for branding purposes and to differentiate it from poorly received The Avengers film of 1998, which was based on a popular British television series – which ultimately leads to the current film’s being titled Avengers Assemble in Europe…) pretty much means that a review is of absolutely no value to anyone. Everyone who wanted to see the film has already seen or plans to see it soon, and everyone who did not want to see the film really did not care. A review about the film is not beneficial because everyone’s mind was made up well in advance of the film’s actual release. Plus the film has so little in substance going for it aside from the action that there really isn’t much to mention.
Which is great because the circumstances of the film’s immediate success is incredibly interesting to me. None of the films in the Marvel Cinematic Universe come close to the gross profit of The Avengers‘ opening weekend in their opening weekends. Truth be told, aside from the spike in the almost miserable Iron Man 2‘s profits due to the popularity and accessibility of the first, each Marvel movie has done worse than the one preceding it. So it is clear that The Avengers is an amazing gestault film that truly is greater than all of the films before it. Continue reading “Avengers assemble a world”
From my February 9th post called “Buffy pushes boundaries”:
They’re not going to go through with it. No mainstream comic has the gall to go through with something so taboo. Something is going to happen to stop it, or she is simply going to change her mind. After all, it is probably a magical pregnancy, and Angel‘s fourth season shows how that can go.
But I just don’t think Whedon will do it. This strikes me as nothing but attention-seeking. It’s clearly working since I’m writing about it, but I’m mostly setting this in writing so I can call back to it in disappointment. I want Whedon and company to prove me wrong, though. How far are they willing to go?
As it turns out, not very far. Continue reading “Buffy and attention whoring”
Unfortunately, Star Driver is an anime series that is not worth a full essay. No, the best summary is, “Modestly entertaining, but ultimately disappointing.” I expected more from the writer of Revolutionary Girl Utena. Instead I got a slight retread in terms of high school students dueling in some sacred space with the future of humanity at stake but lacking in the surrealism that made Utena a true standout among other shows of its time. Continue reading “Star Driver”
The original Young Justice comic was the perfect source material for an animated series. It sadly never came to happen, but the Teen Titans cartoon was a good substitute. It still would have been nice to see Tim Drake’s Robin teamed up with Impulse and Superboy in an ongoing animated series.
A couple years ago an announcement was made for a Young Justice cartoon, featuring an Aqualad of color and a lack of overall humor. The latter was a deal breaker for YJ purists with the former being a deal breaker for DC purists. I was of course interested in the series, and it did not disappoint. Continue reading “Young Justice: Season One”