Dominion is a game that’s been begging for a review by me for quite some time now. The game has been out since 2008, but I only discovered it about a year ago during my second year exploring this brand new world of tabletop gaming. It is easily my favorite game and the one I encourage every game player to try at least once.
Donald X. Vaccarino’s Dominion (currently published by Rio Grande Games in America) created a popular and broadly used mechanic called deck-building, which is just as simple as it sounds. The game starts with a small deck consisting of 10 cards: 3 Estates, Victory Point cards worth 1 point a piece; and 7 Coppers, Treasure cards that are worth 1 monetary value each. You shuffle the deck and draw the top five cards in preparation for your turn. (You can see your next had between turns. In fact, due to some card effects, you _have to_.) On your turn, play goes as such: Read the rest of this entry
It seems to me that DuckTales Remastered doesn’t even need a full review. If you have a PS3, Wii-U (which sounds appropriate, given the property) or Steam, you should have this game. If you have a 360, you should get this game when it’s released in a month. It’s one of the best short platforming games out there. Read the rest of this entry
At first glance, Super Dimension Century Orguss is a fluff piece of children’s science fiction that ultimately, and oddly, aims to sell fewer toys than its Super Dimension sister series (Super Dimension Fortress Macross and Super Dimension Cavalry Southern Cross, both of which were adapted into the mega-series Robotech worldwide). At second glance, the series clearly has no other aim than to be a light-hearted science fiction piece of fluff television. It’s only upon a third glance that the viewer sees the series as a broken science fiction epic. Read the rest of this entry
There’s a certain group in our culture who grew up through the 70’s and 80’s and had an understanding of the beauty present in giant mechas and robots. It sounds weird, but it’s true. How else can you explain the nostalgia for Transformers that has repeatedly managed to revive the franchise? Even knowing that the main purpose of the series is to sell toys, we knew that there was more there. Fans of Transformers have yet to see a big screen payoff (although the 80’s film has its moments), but IDW’s comics are an unexpected treasure. Godzilla fans get something great every now and then, although it seems Toho is hanging its hat for a while. (The upcoming American film is concerning but promising.) What we haven’t really gotten is the clash that our toys used to have. Anime only sates the appetite so much before the fans say, “I want to see real people in mecha punching monsters dead!” Yeah, our over excitement taxes our grammar a bit…
Guillermo del Toro’s Pacific Rim does more than satisfy our taste for giant destruction. It whets our appetite and makes us long for so much more. And it’s not because the movie is missing anything. It’s that the movie does so much and makes us believe that maybe we might someday get to see more like it. Read the rest of this entry
For a fairly light-hearted zombie romantic comedy (zomromcom), Warm Bodies skirts the line of being almost too dark and disturbing. I only bring this up because, as mentioned before, I like when movies take risks. This movie takes a huge risk and never breaks its stride. It’s almost like it doesn’t think it’s a big deal – which is what makes it so good. Read the rest of this entry
It is unexpected for any Wii game to take nearly 100 hours to complete. After all, Nintendo is supposed to be the well-marketed system for the casual crowd. The focus should be on the Just Dance and Mario Party games, not an intense and sprawling action RPG that has taken some obvious cues from MMORPGs. But earlier this year, thanks in part to Operation Rainfall, Nintendo released Xenoblade Chronicles in America. I have been playing the game on and off since its release in April, and I am happy to report that I finally finished it. Read the rest of this entry
This post may contain spoilers about Looper. I’ve done my best to keep it somewhat vague, but perceptive readers might be able to figure it out. As for Doctor Who, I’m less vague. Why? Because I think the accessibility of television shows allows us to tiptoe far less.
Time travel stories are simultaneously some of the most intriguing and frustrating science fiction tales out there. They offer glimpses of possibilities that we will likely never, and should never, know while being burdened with the fact that they must tell a compelling narrative. If most individuals were provided the means to travel through time, the stories would be uninteresting and/or disastrous. Meeting idols and family members do not necessarily make for compelling fiction. Nor does the likely scenario of someone simply breaking time and space for doing something stupid. (“Well, they’re going to learn how to make fire eventually, so what the hell?”)
io9, likely directly inspired by watching Looper, recently posted an article about how messy time travel stories, those with uncertain rules and no desire to adhere to a stable loop and timeline, are some of the most interesting. I cannot say that I agree, but I can understand Charlie Jane Anders’ point of view. After all, when the end is the beginning is the end of a story, where’s the fun of it? Everything seems boxed into place in a manner that seems to hit the border between OCD and OCPD. But that doesn’t mean time travel stories should eschew rules. Otherwise it becomes far too convenient. Read the rest of this entry
Without hesitation, I can say that Dredd is the best comic book movie of 2012. Put away your bat-shaped pitchforks and mighty hammers so that you can hear me out. Dark Knight Rises and The Avengers were both considered fantastic epics that were the culmination of years of build-up. Both were huge and explosive. When you walk out of the theater, you comment on what a rush it was. Then what do you walk away with?
Dredd is a much smaller film. Not only is the budget smaller but the length doesn’t even attempt to touch the other two films. If the other two films were explosives, then Dredd was a bullet from a sniper rifle. It is exactly that precision that I appreciate about the film. Read the rest of this entry
The opening weekend box office for Marvel’s The Avengers (yes, Marvel is a part of the title both for branding purposes and to differentiate it from poorly received The Avengers film of 1998, which was based on a popular British television series – which ultimately leads to the current film’s being titled Avengers Assemble in Europe…) pretty much means that a review is of absolutely no value to anyone. Everyone who wanted to see the film has already seen or plans to see it soon, and everyone who did not want to see the film really did not care. A review about the film is not beneficial because everyone’s mind was made up well in advance of the film’s actual release. Plus the film has so little in substance going for it aside from the action that there really isn’t much to mention.
Which is great because the circumstances of the film’s immediate success is incredibly interesting to me. None of the films in the Marvel Cinematic Universe come close to the gross profit of The Avengers‘ opening weekend in their opening weekends. Truth be told, aside from the spike in the almost miserable Iron Man 2‘s profits due to the popularity and accessibility of the first, each Marvel movie has done worse than the one preceding it. So it is clear that The Avengers is an amazing gestault film that truly is greater than all of the films before it. Read the rest of this entry
From my February 9th post called “Buffy pushes boundaries”:
They’re not going to go through with it. No mainstream comic has the gall to go through with something so taboo. Something is going to happen to stop it, or she is simply going to change her mind. After all, it is probably a magical pregnancy, and Angel‘s fourth season shows how that can go.
But I just don’t think Whedon will do it. This strikes me as nothing but attention-seeking. It’s clearly working since I’m writing about it, but I’m mostly setting this in writing so I can call back to it in disappointment. I want Whedon and company to prove me wrong, though. How far are they willing to go?
As it turns out, not very far. Read the rest of this entry