From my February 9th post called “Buffy pushes boundaries”:
They’re not going to go through with it. No mainstream comic has the gall to go through with something so taboo. Something is going to happen to stop it, or she is simply going to change her mind. After all, it is probably a magical pregnancy, and Angel‘s fourth season shows how that can go.
But I just don’t think Whedon will do it. This strikes me as nothing but attention-seeking. It’s clearly working since I’m writing about it, but I’m mostly setting this in writing so I can call back to it in disappointment. I want Whedon and company to prove me wrong, though. How far are they willing to go?
As it turns out, not very far. Continue reading “Buffy and attention whoring”
It’s starting to seem like Joss Whedon and company are going for shock value with the Buffy the Vampire Slayer comics. Last year they revealed that the big villain of Season Eight was Angel, somewhat possessed by an entity humorously called Twilight. Or not. It’s still kind of unclear, and it’s not at all clear how it fits into the Angel: After the Fall comic. Then there was flying super sex between Buffy and Angel. Then there was the head turning death of Giles. Ultimately we came unto the end of all magic. Continue reading “Buffy pushes boundaries”
I have been thinking more and more about user interfaces(UIs) lately. Maybe it’s the proliferation of devices in our everyday lives, but I cannot shake out of my head that individuals designing interfaces seem to shrug off the idea that there should be rules governing their choices. The two rules necessary for UIs are as follows: simplicity and accessibility. Continue reading “The User Interface”
The problem fans had with Buffy the Vampire Slayer: Season 8 became crystalized to me after reading the final issue of the series. Spike has a conversation with Buffy that likens her not to her past self but to Angel, who had a history of making tough choices while Buffy merely had to find a way to beat the bad guys. Continue reading “Buffy the Vampire Slayer: Season 8, issue 40 – a failure and a success”
Fiction that is afraid to take chances is generally not worth taking the chance to read.
Fiction that is afraid to take chances is generally not worth taking the chance to read. This is a sentiment I have taken to heart after reading many of the commentaries by Harlan Ellison in both of his Glass Teat collections as well as his collection called Watching. Fiction is supposed to push the reader. Fiction is supposed to make the reader feel something. Feeling good is not the only sort of feeling that matters, nor is a completely positive outcome the only way to resolve a tale. Sometimes sacrifices need to be made. Continue reading “Buffy #39 and mishandling fictional death”
Warner Bros. has officially pulled the trigger on a Buffy the Vampire Slayer reboot, and the Buffy fandom has already cried foul because Joss Whedon is not involved. He really does not even need to be.
Warner Bros. has officially pulled the trigger on a Buffy the Vampire Slayer reboot, and the Buffy fandom has already cried foul because Joss Whedon is not involved. He really does not even need to be. He had seven years on the series, five for Angel (which only gave him one additional year), and an incredibly interesting comic book series that looks like it will continue for some time. Whedon’s work still exists, and a reboot cannot discredit that.
I have definitely cried foul over reboots. The Transformers movies bother me, but not because they are reboots. They were just bad movies. Star Trek definitely bothered me, but I am over it. At the same time, Battlestar Galactica was a both a reboot and an amazing series. Even The Prisoner reboot had its positives. Objectively, reboots do no damage to the original properties. In fact, they draw more attention to the overall franchise and work as nice entry points for new fans. So what is the problem? Continue reading “Buffy the Vampire Slayer and Fan Narcissism”