Jennifer’s Body is a film that doesn’t deserve half the spurning it got from the critics. It was one of those bodies that was just released at the wrong time – and that time was the height of Megan Fox’s starlet status. If memory serves, this might have been around the same time she likened Michael Bay to Hitler. It was not unreasonable to dislike her. The worst thing Fox can do for her career is say anything that isn’t written down for her. Read the rest of this entry
Because I enjoyed Sucker Punch so much when I saw it in the theatre, I jumped at the opportunity to purchase the DVD. Unfortunately, the DVD edition lacks the extended cut provided on the Blu-Ray release. (No, I don’t have a Blu-Ray player yet; I’ll be holding off until the players are relatively cheap and I’m forced to make the leap forward. Or if someone just buys me one.) I cannot comment on the full version of the film, but I can comment again on the theatrical cut. Read the rest of this entry
Now that I’ve spent my $7 and seen Sucker Punch, I can work on a letter I’ve been meaning to send out. Well, a series of letters, if you will. Sucker Punch is not the only film plagued by certain media problems, but it is one of the most recent. If you want, you can imagine this for other films. I definitely have ideas for other letters, too, based on the form of this one. Read the rest of this entry
[Author’s Note: If you’re just curious about what I thought of the movie, skip down to where you see the asterisks. Otherwise, this is a very lengthy post. I’ve noticed that no one tends to read the entries about anime (except for the dozens of people who keep coming here for Tekkaman Blade pics), so I went crazy with it. If you want to read a 2300-word post, knock yourself out. I promise you none of it will be on the exam, though.]
It is difficult to find good, creative, original science fiction. Sure, some people might have that one friend who does nothing but read science fiction anthologies and keep up with all of the latest material on the web, but the rest of us have few sources and even less time. What the popular multimedia world is most often known for are the scifi retreads – either of old works or old ideas. “It’s the delivery that matters!” we say to ourselves. While true, it also opens ourselves up to eating the same cereal so long as the marshmallows are offered in new shapes and/or colors. For example, I loved four and a half seasons of Ron Moore’s Battlestar Galactica despite the fact that it was a retread of the original BSG that invoked the darker and edgier trope and borrowed heavily from Do Androids Dream of Electric Sheep?/Blade Runner and a little from the rest of the Philip K. Dick library. I recognized the sources clearly but still moved forward. That may very well be the reason why I was able to move forward with it.
There are no more original ideas. It’s all be done before. The movie trailers on TV look like items from either a few years to a few decades ago. It seems like movies are being made just so the studios have a steady flow of product coming out. No one holds off for the great ideas. No one devotes time to meticulously perfect a creation. Having something out there is generally regarded as being much better than having something great.
I’ve always been an anime fan. The general anime fan likes to cite creativity as a reason why s/he prefers Japanese output over American. I’m not that fan. I’m not an otaku, as I’ve said before. I watch what I watch. While the ideas over there are decidedly different in origin, they area also quite plagued by hackneyed ideas. Watch enough Japanese content and you find that it becomes increasingly more difficult to find original ideas. (Even in writing this introduction to a review about The Disappearance of Haruhi Suzumiya I’ve realized that it is not entirely original because it could be considered a lighter and fluffier version of Akira. I’m still moving forward with this idea of original content, though.) No matter where you look, people borrow from ideas that they find interesting. Read the rest of this entry
You know what? I want to write a review, but there is nothing more I can say than to go see this movie. It is superbly written and well performed. Patrick Fabian has always pleased me in his television appearances (see Saved by the Bell: The College Years, Veronica Mars season 3, and even one episode of Bones), but he really stands out in the leading roll as Reverend Cotton Marcus. He is completely lovable while essentially praying on people’s faith, and you cannot doubt his goal in exposing exorcism to save the lives of children. (He lost his faith after reading about an impaired child’s being suffocated by exorcists who were trying to save him.) While Ashley Bell, as Nell the possessed girl, also gave an outstanding performance, it was hard to believe that she was 14. Aside from that, everything was perfect. The ending will definitely disappointed some viewers, but there was really no other way. The movie had me locked into my seat. The first half of the film is lighthearted and then you are whiplashed into chaos and fear. And then you might be left with a simple question: What do you want to believe?