Category Archives: race and culture
Great video game tie-ins are few and far in between. The last truly great tie-in was…what exactly? What made it such a great game? Did it add to the original property? These are the questions to ask when considering video games based on movies. Read the rest of this entry
Before I go into the review, I want to make it a point to urge you to go out and see Red Tails. It’s not often that you get a Lucasfilms property that isn’t Star Wars or Indiana Jones. It also isn’t often that you get an action film consisting of a predominantly African American cast (and the amazing Bryan Cranston as a condescending racist). This is a film that Lucas has been trying to get made for the past 30 years, only to repeatedly get turned down because the studios said that there is no money to be made from such a film. People don’t want to see the black flying aces of World War II. Unfortunately, the opening weekend box office seems to suggest there is some truth in that – as of now it’s made roughly one-third of it’s $58M budget. I don’t want it to be true. The failure of this film vindicates every studio for casting few African Americans in leading roles and not providing much publicity for any film that casts black people as anything more than a joker, thug, magical negro, overweight loudmouth, etc. I have to admit, I already blame 20th Centure Fox for shortcomings in advertising, as I did not see any advertising aside from a stand at the local movie theatre.
I must also state that a tight knot formed in my stomach when the trailer for Tyler Perry’s latest movie played right before Red Tails. No matter the quality of the film, his will be profitable because his audience attends like good little drones. If we were presented with Tyler Perry presents: Red Tails, I wouldn’t have to implore you to see the film (or buy a ticket and not go – just an option). I’d have to worry about your being fed the horrible reinforcement of black stereotypes for the sake of obnoxious humor. But Tyler Perry’s ruination of black people in the media is neither here nor there. It’s just a fact of life. Read the rest of this entry
I just read Ultimate Comics All-New Spider-Man issue #2, and I am pleased to say that so far Miles Morales appears to be a normal, level-headed kid living in post-Ultimatum Wave New York. He gets powers, he stumbles into figuring them out, and he worries about being a mutant because they get sent to concentration camps. He goes straight to his friend to confide his secret and figure out what to do. Fortunately, his friend assures him that he is no mutant. No, he may be Spider-Man. (An ultimate, all-new Spider-Man, for those of you who need a reminder.) Read the rest of this entry
Have you heard about the new Spider-Man featured in Marvel’s Ultimate line of comic books? If you haven’t yet, I’m impressed. It was reported by various news outlets before issue 4 of Ultimate Fallout hit the newsstands. In fact, that’s a bit unfair to readers who want to be surprised with each issue. It’s just continually interesting that the happenings of Marvel comics are regularly reported in the news. DC fanboys weep because Time Magazine will never report on the fact that Sinestro is now a member of the Green Lantern Corps. and Hal Jordan has been kicked-out for pushing his ring to attack and kill a rogue Guardian.
This isn’t about me bashing on DC, though. (I love their characters, I swear!) This is about my somehow continued coverage of the “Death of Spider-Man” and Ultimate Fallout storylines. I didn’t expect the new Spider-Man to be introduced so soon, although nothing has been revealed about him in the comics except for this: Read the rest of this entry
My displeasure with the rest of the X-Men film franchise almost led me to not seeing X-Men: First Class, despite the early good reviews. Social stimulation brought me out to see it, and I was pleasantly surprised. Unfortunately, it did not make up for the Wolverine-centered focus in the first three films, the utter banality of X-Men, the almost good film ruined by a completely ridiculously stupid ending that was X-2 (seriously, the X-Men are trained to be a team, so it doesn’t make sense that Jean Gray would fight a tidal wave by herself when Storm can send a strong wind against it, Iceman can freeze water, and Cyclops’ blasts are actually a physical force…), the complete miss that was X-Men 3, or the existence of X-Men Origins: Wolverine. But it was a clever movie in that it was a period piece and mixed a tiny bit of the spy genre into the plot. It almost made the film seem classy.
Almost. Read the rest of this entry
The link below leads to a video of Donald Glover performing stand-up, specifically his discussion of the “Donald for Spider-Man” campaign in which he starred but did not fully participate. I appreciate his response to someone’s saying that maybe Michael Cera should then play Shaft. My response: Why not?