From my February 9th post called “Buffy pushes boundaries”:
They’re not going to go through with it. No mainstream comic has the gall to go through with something so taboo. Something is going to happen to stop it, or she is simply going to change her mind. After all, it is probably a magical pregnancy, and Angel‘s fourth season shows how that can go.
But I just don’t think Whedon will do it. This strikes me as nothing but attention-seeking. It’s clearly working since I’m writing about it, but I’m mostly setting this in writing so I can call back to it in disappointment. I want Whedon and company to prove me wrong, though. How far are they willing to go?
As it turns out, not very far. Continue reading “Buffy and attention whoring”
The problem fans had with Buffy the Vampire Slayer: Season 8 became crystalized to me after reading the final issue of the series. Spike has a conversation with Buffy that likens her not to her past self but to Angel, who had a history of making tough choices while Buffy merely had to find a way to beat the bad guys. Continue reading “Buffy the Vampire Slayer: Season 8, issue 40 – a failure and a success”
Fiction that is afraid to take chances is generally not worth taking the chance to read.
Fiction that is afraid to take chances is generally not worth taking the chance to read. This is a sentiment I have taken to heart after reading many of the commentaries by Harlan Ellison in both of his Glass Teat collections as well as his collection called Watching. Fiction is supposed to push the reader. Fiction is supposed to make the reader feel something. Feeling good is not the only sort of feeling that matters, nor is a completely positive outcome the only way to resolve a tale. Sometimes sacrifices need to be made. Continue reading “Buffy #39 and mishandling fictional death”